:: DIFFRACTIONS ::

Date of Entry: [REDACTED]
Decryption Protocol: d/wb01
Extracted File: desert/wet box’s training program for an infiltrating agent.txt
Decrypted by: Gaara XYZ Unit [GXYZU-9]
Ciphertext Block Integrity: 95% (Partial Data Loss)

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E0<00:: There is the house (house 1, house 2, house 3, house 4, and so on) with a landing, a staircase, and a cat sleeping peacefully on the landing(1). A house is defined by its boundaries and habitability / a deterritorialized house / there is no singular house but the house. The house is shattered like a mirror; it is said that the cracks in the mirror’s glass allow for leaks. Refraction establishes the tension of axes of symmetry(2): the Sun and the Earth’s core, the map and the knower, the oikos and the inhabitant, the destiny and condition, the mundane and the sublime, the necessary and the contingent. The house is marked by a third party that neutralizes and reconciles(3) the axes of symmetry / abstraction produces leaks / vanishing points and lines of flight emerge like holes in a white wall / white wall–black hole complex(4) / they meet in the reflexive process, locating through activation, marking figure and ground in a recursive dance. The accident-axis is the space of opposition where the third emerges and reconciles tragedy: It arises as technique, the range of operability, let us call it “the medium,” which signifies and materially reconfigures the involved agents. The collision is brutal; a reconciliation as entity: third is an ecstasy of erotic death / becoming abstract. Let us call it The Other: The house has no core but expresses itself as a body of assemblages forming an unstable plane. When opposing, they tense and produce The Other(5), which orbits them. It is a text box, a wet black block, the sensitive erotic space from which the sign escapes: The gesture of grabbing a hand with a hand, the gesture of a figure waking and a figure rising, the gesture of freshly painted paint on a white-painted wall staining the garment, the body, what grazes, how it grazes, the gesture of turning, a turn, recoding of space, relocation of the dislocated core-axis by understanding the obstacle’s direction, the obstacle’s emergence, that which rises, that which awakens, the gesture of partitioning a window frame, half-open. We start from the premise that all geometry operates as potentiality(6): it is always fractured, preventing the total delimitation of the object / if I perceive, I make an object, I make a sign, I extract time / a map is a plane without temporality. Figure 1: From archives, approximately 500 images of the interior of a sleeping cat’s mouth (resting on the house’s landing and yawning) have been identified. A grid is established, and an AI is trained to conclude the historical narrative. We observe the theory that the interiors of the 500 cats’ mouths share the characteristic of effectively being a human face. The institutional body has been reconfigured here, and the face has been implanted as the telos of wakefulness. The cat hides an infiltrating agent in its mouth. Figure 2: We review countless medical documents on spinal configuration and vertebral structure. Approximately 500 X-rays and models of 500 human spines are extracted. A grid is established, and an AI is trained to conclude the historical narrative. We observe the theory that the vertebral configuration of the 500 humans’ bone marrow shares the characteristic of effectively being a human face. The institutional body has been reconfigured here, and the face has been implanted as the telos of wakefulness. The human body hides an infiltrating agent in its spinal column. Figure 3: Through archives, we review a series of graphic documents about a murder at a roundabout in El Salvador. Approximately 500 fragments of images from documents and press articles are extracted. A grid is established, and an AI is trained to conclude the historical narrative. We observe the theory that each of the 500 fragments from the documented archive of the murder scene shares the characteristic of effectively being a human face. The institutional body has been reconfigured here, and the face has been implanted as the telos of wakefulness. The murder scene hides an infiltrating agent in its investigation. Figure 4: We review archival images of horses in a meadow. Approximately 500 images of horses grazing, running, or standing still are extracted. A grid is established, and an AI is trained to conclude the historical narrative. We observe the theory that each of the 500 horses from the archive shares the characteristic of effectively being a human face. The institutional body has been reconfigured here, and the face has been implanted as the telos of wakefulness. The general horse hides an infiltrating agent in its image. Figure 5, Conclusive Report on the disappearance of the Technical Infiltration and Investigation Unit (my beloved new face): The unit appears to have been progressively dismantled by unknown forces. On May 27, 2024, the last report, allegedly under the codename CRID, was issued. Disturbing in nature, the report narrates the survival of the unit’s sole remaining operative. According to the statement, the operative had reached a village and settled into a family home thanks to the goodwill of the resident family. Initially becoming a tenant, the operative reciprocated with a gift for each of the family’s three children: a watch, a pair of shoes, and a firearm. As the narrative progresses, describing a series of days, the operative recounts infiltrating the household by wearing the father’s clothes, mimicking the father’s gestures, and adopting the father’s face. It describes mornings spent at the market buying fish and fruit, interactions with the children and the mother. The operative details falling in love with his “beloved wife.” The situation seemingly destabilizes the family’s harmony; the children gradually vanish from the report, and the wife’s behavior shifts toward increasing distance and fading affection. It is unclear whether hostilities were involved. The report ends ambiguously, with the operative—apparently prompted by the wife—participating in a significant reorganization of the family’s heirloom items: boxes, photo albums, clothing, furniture. After this, the wife disappears. The operative closes the report with a poem titled “burning_church” and concludes: “There will be no more communications after this. From now on, I will dedicate my life to my beloved.”(7) 0O;00;00>0:;=00R00E0:000>0;:0<000<;=00>0<:0:;00E00R=00>0< 0=00E00U00E0<00:;0?;=00R00E0:<0< < 00R00<;0;:0>:00<00::